神游那段很好, wandering from psychedelic to Coca Cola capitalism in Baudrillard’s desert of the real; the liveness of labor simultaneity in (post)socialist bureaucratic 开会 temporality;那个长长的走廊和不断打开的门印象很深;开头结尾那个噩梦惊醒的camera pan其实很有趣杨凡电影这样打破传统叙事空间和pov的cinematography算不算ultrastable system对medium opacity的一种思考呢
离一笑:61.233.187.18
her dad is totally using her,张口闭口next album, kind of like my dad最应该被关心的不是这个人本身吗